DAVID NICKLES

DAVID NICKLES

DAVID NICKLES

THOUGHTS AND PERSPECTIVES ON THE FUTURE OF UNSANCTIONED PSYCHEDELIC RESEARCH

As new developments in sanctioned psychedelic research continue to drive increasingly positive mainstream publicity about psychedelic plants and compounds, governmental restrictions have relegated significant research efforts to the shadows of the criminalized underground. For the past decade, the DMT-Nexus has been at the forefront of this underground research, providing a hub where researchers from around the world and across numerous disciplines autonomously collaborate to push the boundaries of scientific knowledge on these substances. Underground research is an often overlooked and undervalued component of the current psychedelic resurgence. The members of the DMT-Nexus believe that psychedelic research should embody the psychedelic experience: open, inquisitive minds and a participatory spirit should be the bare minimum to engage in psychedelic research. While sanctioned research is incredibly important to the current psychedelic paradigm, it is equally important to consider the social, political, and legal factors that influence the content and viability of these efforts. As new opportunities for discreet collaboration between sanctioned and underground researchers appear, larger questions loom with regards to the role of psychedelic research in dominant culture and the tension surrounding what applications are considered meritorious.

DAVID NICKLES is an underground researcher and moderator for The DMT-Nexus community. He has worked on numerous harm reduction projects including KosmiCare, TLConscious, The Bunk Police, The Open Hyperspace Traveler and others. David has offered cultural critiques and commentary on psychedelics and radical politics as well as novel phytochemical data for psychedelic preparations at venues ranging from scientific conferences to music festivals around the world. David is also a glassblower, operating under the moniker of Oneiros Glass, and can be found in his glass studio during most of his waking hours.